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Parsons'
tunes provide ample room for meaningful dialog and interaction among
th players, who make accessible music out of challenging lines and
changes."
-Ed
Enright, DownBeat magazine
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Saxophonist
Andy Parsons and drummer Gene Lewin lead bassist John Patitucci
and guitarist Ben Monder through a smart set of melodic Parsons
originals on Flip! At no point does the improvisational interplay
cease, as Lewin and Patitucci lay down the swing and Parsons and
Monder dance on top. Despite the constant motion, however, this
is no technical blowout. Parsons keeps the melodies sweet and flowing.
His sax playing, mellifluous without becoming soppy, fits his style
perfectly, and Monder's fleet-fingered but spare runs compliment
the leader's horn lines nicely. Listen to the way Monder's volume
swells add buoyancy to Parson's melody licks on "Miss Conception,"
or the way both musicians exhibit sheer joy in playing in "Lot
of Our Souls." Throughout all the players just revel in the
pleasure of playing straight-up, no-bullshit jazz. If you need a
traditional jazz fix, you'll flip over Flip! For fans of: Bob Mintzer,
Greg Osby, Pat Metheny's non-Group projects."
-Michael
Toland, High Bias
.............................
Ben
Allison, Matt Wilson, and Charlie Hunter, desire to come down from
the lofty perch jazz inhabits. Count Andy Parsons among this new
breed... his saxophone work flows with a grooving ease... [Lewin's]
gift lies in his frenzied dynamo attack of cymbals and skins. Think
Tony Williams sits in with Weather Report... A spin of this disc
is quite a delight... what jazz is supposed to be all about..."
For
the full review by critic Mark Corroto:
All
About Jazz reviews Flip!
.............................
Parsons'
playing is superb and makes a listener say, 'Where's this guy
been?'"
-Bob
Karlovits, Pittsburgh Tribune-Review, June 2003
Sons
of SOund is a New York label with a roster that includes drummer
Akira Tana, the American Saxophone Quartet, and a number of the
city's lesser-known talents... Shaven-headed Parsons was a semi-finalist
in the 2002 Thelonious Monk Jazz Competition. Monder, from memory,
has played on some Fresh Sound New Talent albums a well as working
with Paul Motian's Electric Bebop Band, among others. The Parsons/Lewin
project is very contemporary in concept. Lewin seems to have a
jazz-rock fusion approach and the drums work well with the tenor.
All the tracks are originals (and all have quirky inspration)
except 'East of the Sun' which is a good place to get into what
they're doing. It's been reharmonized and re-grooved and sounds
very now. The tenor-guitar front line sometimes recalls the sound
of Mark Turner and Kurt Rosenwinkel, but Monder (often with dark
chords and unusual single lines, switching suddenly to heavy rock
electric) is a very different player. Parsons tenor would fit
in well with the kind of musicians centered around Matt Wilson.
He plays boldly and with confidence, searching for a personal
style, reminding me at times of Rick Margitza. Patitucci is excellent
throughout. 'Alone in the Loveseat,' 'Lot of Our Souls,' and 'Load
Cycle' (with Parsons soloing extensively on soprano) are possibly
the pick of the originals. A grower, worth investigating."
-Tony
Hall, Jazzwise (premier UK jazz magazine)
.............................
This
very heady small group jazz blowing session is the work of Andy
Parsons, Gene Lewin, John Patitucci, and Ben Monder. The writing
is as much the star as the band- thoughtful, clever but still
grooving. Anchored by Patitucci's flawless playing and Monder's
mind-expanding chordal inventions, the group is free to support
the beat or explore Parsons' clever and surprising melodies. On
the drummer: Lewin, who also works with jam band Groovelily,
has a great light touch but can bear down when he has to. Listen
to how he burns on the title cut when Parsons turns his solo into
one extended repeating riff. Or catch how he moves aoround the
kit like DeJohnette on cuts such as Alone in the Loveseat
and Lot of Our Souls. Verdict: massive
solos, incredible drums, transcendent composition. What's not
to like? Okay, I didn't like the color of the cover."
From
Drum Magazine "Picks," June 2003
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What makes FLIP!
a winner is its intricate solo performances and solid approach to
entertaining a jazz listening audience. This group combines the
best of straight-ahead/classic jazz with world music themes, and
an understandable free jazz touch that gives it a unique flavor..."
For
Lee Prosser's full review:
JazzReview
reviews Flip!
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Saxophonist
Andy Parsons and drummer Gene Lewin have a formed a duo that, with
the assistance of some high-level musical guests, has now produced
three quality recordings. On Flip! Parsons and Lewin are joined
by bassist John Patitucci and guitarist Ben Monder, two leading
lights of the present jazz scene. With the exception of the standard
“East of the Sun (and West of the Moon),” offered here
in an appealingly skewed arrangement by Lewin, the compositions
are by Parsons, and each is a gem. Parsons, a semifinalist in the
2002 Thelonious Monk International Jazz Saxophone Competition, is
a rare figure among younger jazz players, being equally gifted as
an improviser and a composer. His finely crafted, often catchy tunes
bring out the best in all the participants. Patitucci and Monder
mesh superbly with Parsons and Lewin, the propulsive yet lyrical
bass work and the moody guitar lines adding marvelous textures to
the music."
-Steve Futterman, Barnes & Noble .............................
Flip!
is as tasty as a breakfast at Mad Martha's on Plum Island... The
inwrought grooves are full but "Flip!" gives listeners
the impression that the compositions are loose jams. In fact, the
extemporaneous playing is firm and pronged... this is a welcome
treat. Filled with delicious little nooks and shrewd jams, "Flip!"
is a superior work of coherent modern jazz. Any fan of the genre
will appreciate its nectarous rhythms and humid tapestry of sound."
Rating:
9 out of 10! For Michael J. Ryan's full review:
Boston
Herald reviews Flip!
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Cadence
review of Fundementia (PDF)
All
About Jazz review of A Whole Nother Story (PDF)
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